http://www.anthonymstagliano.com/print-portfolio daily 0.75 2022-10-27 https://images.squarespace-cdn.com/content/v1/53a5d82fe4b0b0e684bc86f1/1476548627660-GOCWO5ZDQRX2YI3Y2QJQ/Herrera+Final.jpg Design Portfolio - JUAN FELIPE HERRERA https://images.squarespace-cdn.com/content/v1/53a5d82fe4b0b0e684bc86f1/1476548627660-GOCWO5ZDQRX2YI3Y2QJQ/Herrera+Final.jpg Design Portfolio - JUAN FELIPE HERRERA https://images.squarespace-cdn.com/content/v1/53a5d82fe4b0b0e684bc86f1/1404083076330-BDPJ4YBSLBUC60TOTLS1/Trzaska+Daisy+Vertical.jpg Design Portfolio - Trzaska/Daisy https://images.squarespace-cdn.com/content/v1/53a5d82fe4b0b0e684bc86f1/1476549108504-4XMENAFOWROW3LHO6L2C/Berlant+Poster+Digital.jpg Design Portfolio - LAUREN BERLANT https://images.squarespace-cdn.com/content/v1/53a5d82fe4b0b0e684bc86f1/1404083871153-P7YKZI06NLKB5D3AT7NR/Ajemian+Designs_Page_2.jpg Design Portfolio - Jason Ajemian and the Highlife https://images.squarespace-cdn.com/content/v1/53a5d82fe4b0b0e684bc86f1/1666831014484-GSICK25N1VQBZQTHSFOG/LEVIN%2BPOSTER.jpg Design Portfolio - DANA LEVIN https://images.squarespace-cdn.com/content/v1/53a5d82fe4b0b0e684bc86f1/1404083991201-QIANTI6C8Y8UWEWN3TTX/Final+Proofs5.jpg Design Portfolio - Alter Destiny https://images.squarespace-cdn.com/content/v1/53a5d82fe4b0b0e684bc86f1/1404082935177-D2RRM6P5C4FCTOAVZWQD/CRC+Poster+Final+Draft.jpg Design Portfolio - Carolina Rhetoric Conference https://images.squarespace-cdn.com/content/v1/53a5d82fe4b0b0e684bc86f1/1404083267811-0HLKLJ9CGTW7CD28SBSW/Ballister.jpg Design Portfolio - Ballister https://images.squarespace-cdn.com/content/v1/53a5d82fe4b0b0e684bc86f1/1476548582575-UODE53TJFYZWFLQYOG1Y/Jensen+Poster+pic+file.jpg Design Portfolio - KYLE JENSEN http://www.anthonymstagliano.com/work daily 1.0 2025-06-25 https://images.squarespace-cdn.com/content/v1/53a5d82fe4b0b0e684bc86f1/1445724108396-22YWYRGPQS5KOUW62NFP/Fade+Postersmall.jpg Projects FADE is an “intriguing blend” of “Lynchian nightmare, lo-fi B-movie aesthetic and the obsessive, claustrophic atmosphere of Memento” … with “impressive cinematography and editing” and a “nerve-jangling modernist score” that “helps breed an atmosphere of dread.” —Andrew O’Hehir, Salon "A wonderful independent picture. Exquisite direction is finely complemented by a sharp script and impressive acting." —James Quinton, Open Wide Magazine An "intense performance" from David Connolly. —New York Magazine In this bleak experimental drama, Arthur thinks he is dying of insomnia. As he and his wife Anna navigate a surreal waking nightmare, chronology and narrative are upended and we follow them into their darkest fears. With music from avant-garde legends AMM, Art Bears, and Stephen O'Malley's Ginnungagap. Starring David Connolly, Sarah Lassez, Michael T. Weiss, and Anthony Drazan. https://images.squarespace-cdn.com/content/v1/53a5d82fe4b0b0e684bc86f1/1462211360106-HEAB8SDM2UV13NJGU5LO/image-asset.jpeg Projects - In the Half-Light of the Imaginary "In the half-light of the Imaginary" is a curious line from Mulvey's "Visual Pleasure" that has haunted me for many years. The dim twilight of the Imaginary, at once visible and invisible. What do such states sound like, though? "In the Half-Light of the Imaginary" takes place in such dream space, and sounds the way I imagine such worlds must. //Shot on Super 8//hand processed//finished and manipulated on computer//audio provided by projectors: layered, multiplied, haunting each other// https://images.squarespace-cdn.com/content/v1/53a5d82fe4b0b0e684bc86f1/1403449110451-ZF69YN9YX81H8RAMO4EX/Tree+Glow+SMALLER.jpg Projects - Let No Man Regret Destroying Nature This ecohorror film will combine footage from Let No Man Regret Destroying Nature, a 1970s educational film, Combustion, a 1960s educational film, and recent public surveillance, mapping, geolocative, and other digital imaging materials culled from the internet. https://images.squarespace-cdn.com/content/v1/53a5d82fe4b0b0e684bc86f1/1403383014860-AJRUWM7DV5M3X7JJI787/image-asset.jpeg Projects - Control/Response The Fordist factory and its product---the automobile---transform work, cities, and the very possibilities for communal life. Soon the movement of human bodies through their spatial environments, and the supervision and control of that movement, generate unexpected possibilities and effects. Premiered at Fear No Film Festival, Salt Lake City, June 2012. https://images.squarespace-cdn.com/content/v1/53a5d82fe4b0b0e684bc86f1/1403381670598-X7YN7WDURDT31YO2TF11/image-asset.jpeg Projects - The New Commons A chilling, dystopian future is narrated entirely through surveillance images, traffic and weather cameras, and other public imaging materials culled from the internet. This short version of the in-progress feature premiered at Light Assembly @Art Basel Miami, December 2012. Other screenings include Villa Ville Cola in Columbia, SC, 2014. https://images.squarespace-cdn.com/content/v1/53a5d82fe4b0b0e684bc86f1/1403450358763-RFEGYJEFPCQIOP2BBFSL/Master+Hands+Still.jpg Projects - Master Hands Command the Great Machinery of Production Part of a "Video Roundtable" for Enculturation, in which five artist/scholars were selected to produce remixes of the 1936 film "Master Hands," produced by Chevrolet. Master Hands was added to Library of Congress' National Film Registry in 1999. This remediation project had four constraints: footage from the film Master Hands needed to be used; the final film needed to be no longer than ten minutes; no accompanying text could be provided with the film; none of the five participants could see each other's films until published. Five additional scholars were selected to offer commentary/response to the five films. All can be seen here.   https://images.squarespace-cdn.com/content/v1/53a5d82fe4b0b0e684bc86f1/1403544228495-ZLSEU6LEJD9YY7LLTVDW/Stagliano+PROVISIONAL+RESPONSE.png Projects - Provisional Response Provisional Response is an installation video piece that first premiered in a group contemporary art show at the Grow Gallery in Columbia, SC. One half of Control/Response. https://images.squarespace-cdn.com/content/v1/53a5d82fe4b0b0e684bc86f1/1414961581404-Y79XQZW99FJPW8PGSR2E/Sontag+for+website.jpg Projects - Address Is Approximate Address Is Approximate (1219 Maple Street; 2305 Taylor Street; Rosewood & Edisto), 2012 More instructive in making sense of Google Street View than the metaphor of inside/outside is the one of depth and surface. What appears on the screen in the use of Street View iconically represents what is not, perhaps, literally deep beneath it. But Street View is an index; in its use, not only are the sites we try to find indexically represented by the photos taken at the actual places, but even more importantly, the whole coded structure that makes Street View functional is indexed, but not iconically, in its very interactivity. Appropriating three addresses from Google Street View, I have blended them together into the image of an impossible site, an icon of an unnatural location, which approximates no real space, and addresses no particular user, but is itself stitched from the indices of real spaces. This composite image is repeated here four times. In each instance, “buried” in the image’s code is a natural language text, which is indexed on the “surface” of the image in subtle distortions in the picture. The contents of some of the texts, as is likely clear, are in tension with what they are doing here. They are, in a sense, performing the tension inherent in interactive indexical images. https://images.squarespace-cdn.com/content/v1/53a5d82fe4b0b0e684bc86f1/1442087825843-GHXOB82IJNBHPGRLQCJK/image-asset.jpeg Projects - 43'33 The BBC Philharmonic Orchestra playing Cage's 4'33 very slowly. 43'33 is a reconsideration of John Cage's 4'33. In that piece, Cage encouraged us to listen to the materiality of and ambient sounds that fill a concert hall, and which are, in the context of music, understood typically as silence. By taking a video of a performance of that piece, by the BBC Philharmonic, and slowing it down to 43 minutes and 33 seconds, I reveal, in a different way, the immanent sounds and tones packed in a video recording of a moment, elements (like the ambient silence of a concert hall) that are typically understood as "not there." For Cage, the phenomenon of sound was a matter, it seems, of human attention to materialities usually ignored. 43'33 shows a materiality of sound recorded, stored, transmitted, and temporalized outside the normal scale of human attention. 43'33 is concert music for robots. https://images.squarespace-cdn.com/content/v1/53a5d82fe4b0b0e684bc86f1/1445733777426-LGJMWZZ3GCG5MP5K13EA/new+fade+graphics2.jpg Projects http://www.anthonymstagliano.com/courses daily 0.75 2023-02-08 http://www.anthonymstagliano.com/about daily 0.75 2023-07-05 http://www.anthonymstagliano.com/new-products daily 0.75 2014-11-05